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Dafne Keen Movies and TV Shows: From X-23 to Jedi Padawan

Dafne Keen Movies and TV Shows breakout role as X-23 in Logan to joining the galaxy of Star Wars: The Acolyte as a Jedi Padawan.

Dafne Keen Movies and TV Shows

At A Glance:

· Full name: Dafne Keen Fernández

· Born: 4 January 2005 (Madrid, Spain)

· Age: 21 (as of March 2026)

· Nationality: Spanish and British

· Languages: English and Spanish (she has spoken about growing up between cultures)

· Known for: Logan (as Laura/X-23), His Dark Materials (as Lyra), and Star Wars: The Acolyte (as Jecki Lon)

Movies and TV shows to consider:

If you are looking for “movies and TV shows” associated with her name, it aids to begin with the primary projects before fanning out. Her’s a straightforward, fan-friendly rundown of key credits (not every appearance, just the ones most people discuss):

Movies

· Logan (2017) — Laura/X-23

· The New Mutants (2020) — footage from Logan (brief)

· Ana (2020) — Ana

· Deadpool & Wolverine (2024) — Laura / X-23

· Whistle (2025; U.S. pub in Feb 2026) — Chrys Willet

TV / streaming

· The Refugees (2015) — Ana "Ani" Cruz Oliver

· His Dark Materials (2019–2022) — Lyra Belacqua

· The Acolyte (2024) — Jecki Lon

· Percy Jackson and the Olympians (Season 3, cast announced) — Artemis

This list suggests something important: She balances “big IP” projects with smaller, mood-driven films. That balancing act can save an actor from being pigeonholed to a single kind of role.

How she prepares: reading, movement, and teamwork

All the time, people are like, how does a young actor know when they do emotion in an action piece? From interviews and production notes, these three habits emerge as the most distinctive.

1) She prepares the story first.

For His Dark Materials, reports out of the production suggest that she took these books very seriously, early on. [Read more entertainment coverage]When an actor knows the world they operate in and how it works, their performance comes across as truer even when the narrative turns fanciful.

2) She approaches physical labor as craft, not “cool stunts.”

Rehearsal, timing, and safety are all that mass Star Wars productions require. Her training anecdote (the accidental fire-alarm moment) made it into the second level of legend because it proves a nitty-gritty element of how real practice time can be.

3) She respects the crew.

In her interview with Teen Vogue, she pointed out how everyone on set counts. That attitude can carry a performer through extended shoots, complex effects work and tight schedules.

This is how she’s able to flit between genres. The method remains constant, even as the costume and world shift.

Other films worth knowing:

Greer has made varied choices on screen, not just franchises.

“Ana” (2020)

Ana is more of a small, human story. It chronicles a young girl and a struggling adult who hit the road together in Puerto Rico after Hurricane Maria. This is a movie about relationships and survival, not superpowers. It allowed her an opening to express warmth and everyday emotion.

“Whistle” (2025/2026)

In Whistle, she leaps into supernatural horror. The story revolves around a cursed object and the terror it brings with it, but reviews also pointed to the film’s sympathy for its teen characters. The Guardian called the film “smart” and “sympathetic” in the cursed-artifact mould.

Horror can hone an actor’s timing. You have to master the tension, the silence, the panic and relief. It also tests the ability to sell fear without overcooking it. This project indicates that she wants to continue expanding, not remain within one genre.

Early life:

Born in Madrid, she grew up with both Spanish and British influences. In interviews, she has talked about a life marked by navigating between places, languages and ways of thinking. That ambivalent childhood can work for an actor. It teaches you to listen, observe and adapt. It also makes you comfortable with different accents, different people and different stories.”

Her family history also had art near to everyday life. Her father, Will Keen, is also an actor; her mother, María Fernández Ache, acts and works in theatre. So, performance was not some distant dream; it was part of the culture she saw around her.” That environment, over time, became her own career path.

If you're airs in October, interspersed with three chats about creative influence; impressed by those never not on-set.

Her first credited screen acting came while she was still a child, in the series The Refugees (also known as Refugiados). The mixture of family drama and a science-fiction conceit — people come from the future and take refuge in the present — was a natural in language. She starred as Ana “Ani” Cruz Oliver and worked alongside her father. Such early work can be a quick school. A young performer learns about marks, camera angles and retakes — how to stay focused while adults around her handle complicated technical tasks.

The breakout moment: “Logan” and the evolution of a screen fighter

Her international breakthrough was with Logan (2017). The role required two things at once. First, it demanded physical intensity. The character fights like a professional and survives unbearable peril. Second, it demanded emotional truth. The action needed to carry a story with a child who doesn’t just feel fear but confusion and anger, at the same time much deeper need for safety than violence or toughness.

The claws and the chase scenes are what stick in a lot of audiences’ minds. But the enduring strength sprung from how real she made that character seem. Even in tame scenes, she could alter the tone with a glance, a slight pause or burst of feeling. That balance — wild energy, fine control — became signature for her.

Why that performance mattered:

Logan arrived at a time when superhero films worked toward broad jokes or cleaner hero tales. This movie was going for rougher and more adult. It can be difficult for a young actor to navigate a world so deep. Instead, she rose to the film’s seriousness and bore part of its weight. That performance cemented her in the “must watch” category for casting teams.

Transitioning from film to long-form TV: ‘His Dark Materials’

A big movie can put you on the map, but a long TV series can give your full range. She portrayed Lyra Belacqua, the lynchpin of an elaborate fantasy plot in His Dark Materials (BBC/HBO, 2019–2022). Brazen, inquisitive, inflexible: Lyra is all these things. She’s fallible; she learns quickly, and she perseveres through danger as the world descends into violence.

It also demanded character growth over the seasons. Audiences watched as Lyra evolved from a plucky child to a more contemplative youth. It’s hard to grow like that and keep the character intact. She preserved the character’s spark but added additional layers season by season.

What this role taught her career:

Long-form TV trains stamina. You have to maintain the same emotional reality between episodes and you’re filming out of order. You also develop long relationships with cast and crew that sharpen your professionalism. By the end, she had demonstrated that she could carry a major production for years.

In Star Wars: Jecki Lon “The Acolyte”

In 2024, she entered the Star Wars canon as Jecki Lon in The Acolyte. StarWars. com called Jecki a skilled Padawan who clings closely to Jedi rules, and grows throughout the story. It required special makeup and alien features, along with strenuous combat training.

An interview with People shared a funny behind-the-scenes moment as well: she accidentally hit a hotel fire alarm during training, triggering a full evacuation. It’s a small story, but it can evince how real the physical preparation can be.

What reunited Jecki and became the new fanovima

Jecki feels restrained, clever and quietly courageous. She does not scream for a demand. Instead, she earns it with proficiency. In a franchise that features loud heroes and big bads, that serenity can shine. Fans also appreciated the character’s blend of gravitas and deadpan.”

Back to superhero worlds: “Deadpool & Wolverine”

She reprised her role as Laura/X-23 in 2024’s Deadpool & Wolverine, which also stars Hugh Jackman. In interviews, she spoke about returning to a role she originated as long ago as 2002, and about crafting an iteration of the character who has matured and gained experience.

Such a return can be quite risky. [The new performance is compared to the old one by fans. The freedom of knowing, the safest course is to tread the same beats. Instead, she approached the return as if it were the continuation of a real life. She still has that same steel, but time has passed and she’s a different person. That growth makes the return feel significant.

Achieved awards and key nominations:

Awards don’t determine talent, but they reflect how the industry responds to a performance.

· Empire Award (Best Female Newcomer) x Logan (2018 ceremony)

· British Academy Cymru nomination (Best Actress) for His Dark Materials (2020)

· Other Logan-related nominations show up in film awards records.

The real story here is the trajectory: her most significant early film role drew serious attention; her biggest television role proved she could carry a one-woman show over many seasons.

Best TV shows to start with:

If you want a quick guide to her strengths, start here:

1. His Dark Materials

Best for: character development, leadership, emotional range.

2. The Acolyte

Ideal for: action training, franchise size, controlled intensity.

3. The Refugees

Best for: getting a glimpse of her early promise and ease on camera.

Each show reveals a different facet: fantasy leadership, sci-fi discipline and early family strife.

Acting style: what viewers notice

Even when she plays tough characters, she seldom depends solely on toughness. She often builds a mix of:

· Physicality (distinct movement patterns, quick reactions, convincing fight training)

· Quiet emotion (subtle reactions that maintain intensity of feeling)

· No-nonsense voice work (crisp lines, pointed timing and straight-ahead delivery)

This combination allows her to slide into action films, fantasy epics and smaller dramas. It also helps her hold her own in scenes with older co-stars, because she neither shrinks nor overplays. She stays present.

Personal life: what’s public — and what stays private

Dashboard Fans want information about relationships, daily habits, etc. She keeps much of this private, and her choice to do so should be respected. What little is openly discussed tends to detail her upbringing, family and work. Speaking about how they shaped her bicultural identity, and also about working with large crews on set, she gave an interview in Teen Vogue.

The strongest “personal” narrative, if you follow her career, emerges in the characters she plays: When given a choice, she works with people who battle for freedom or protect others or learn through difficulty. That pattern reveals a lot about the types of stories she wants to cover.

What’s next: rehashing and bigger worlds

Industry insiders including Variety and Deadline report her upcoming projects as Artemis on Percy Jackson and the Olympians, season 3. The casting puts her inside yet another major fantasy franchise, but also shows that producers have faith in her for the mythic, high-presence stuff.

For fans, this is exciting for two reasons. First, Artemis is a big force of nature with an unconflicted identity and high values — things she has played well before. Second, the position can balance action, authority and emotion. That combination matches her strengths.

Final thoughts:

What set Dafne Keen apart was the combination of discipline with emotion. She’s fighting, leading and still human in close-up. From early television to award-winning work in movie playhouses, and fantasy epics to 21st-century franchise fare, her route is a steadily ascending plateau of smart choices. Watching her projects in the right order, you can almost trace a budding performer’s progress toward a long-term star — one painstaking role at a time.